Karlheinz Stockhausen - Aus den sieben Tagen
8/10
ALBUM REVIEW

Aus den sieben Tagen

by Karlheinz Stockhausen

Listening to Aus den sieben Tagen by Karlheinz Stockhausen-Aus den sieben Tagen

Released1970
ALBUM NOTES

Listening to Aus den sieben Tagen by Karlheinz Stockhausen-Aus den sieben Tagen

Album overview

"Aus den sieben Tagen" (From the Seven Days) is a significant work by the German composer Karlheinz Stockhausen, first released in 1973. This avant-garde composition is notable for its experimental approach to sound and structure, reflecting Stockhausen's pioneering contributions to contemporary classical music. The album was released under the Deutsche Grammophon label, a company known for its dedication to high-quality recordings of classical music. The work consists of a series of musical pieces that are often described as 'text compositions,' where the score merges both visual elements and musical notation. Stockhausen created "Aus den sieben Tagen" as a response to various philosophical and spiritual themes, drawing on his interest in the relationship between sound and human experience. The composition features a range of performers, including vocalists and instrumentalists, who interact with Stockhausen's text, exploring themes of existence, perception, and the human condition. The album is particularly significant within the context of the 1970s, a time when many composers were challenging the boundaries of music and exploring new forms of expression. Stockhausen's experimental techniques and his incorporation of multimedia elements have influenced countless musicians and composers across genres. "Aus den sieben Tagen" is often studied for its innovative approach to sound and its implications for the future of music composition and performance. The work further solidified Stockhausen's reputation as one of the most important figures in 20th-century music, making it an essential listen for anyone interested in the evolution of contemporary music.



Review

"Aus den sieben Tagen" is a challenging yet rewarding experience that invites listeners to immerse themselves in Stockhausen's unique sound world. The album does not conform to traditional song structures, instead, it unfolds through a series of interconnected pieces that evoke a range of emotions and ideas. The use of unconventional vocal techniques, alongside the integration of speech and spoken word, creates a rich tapestry that defies categorization. Stockhausen's artistic vision is evident throughout, as he pushes the limits of sound and challenges the listener to reconsider their understanding of music. The work's abstract nature may be off-putting to some, yet for those willing to engage with its complexities, the album offers profound insights into the nature of sound and silence. The use of silence as an integral part of the composition underscores the importance of listening and contemplation in the musical experience. Musically, "Aus den sieben Tagen" is characterized by its dynamic range and innovative use of timbre. The performers navigate a wide spectrum of sounds, from haunting vocalizations to intricate instrumental passages, creating an atmosphere that is at once unsettling and transcendent. Stockhausen's ability to evoke a sense of spirituality and existential inquiry through sound is a testament to his mastery as a composer and thinker.



Highlights

  • Innovative use of vocal techniques that challenge traditional singing.
  • Rich, immersive soundscapes that provoke deep contemplation.
  • Significant cultural impact on the evolution of contemporary music and performance art.


Weak points

  • The abstract nature may alienate casual listeners.
  • Lengthy compositions that require patience and focus to fully appreciate.
  • Complexity may deter those unfamiliar with avant-garde music.


Overall evaluation

"Aus den sieben Tagen" stands as a monumental achievement in Stockhausen's oeuvre and in the realm of experimental music. While it may not cater to mainstream tastes, its innovative spirit and profound thematic exploration make it an essential work for anyone interested in the boundaries of sound and artistic expression. Personal rating: 8/10

```
Selected tracks

Continue listening with music from the artist.

KARLHEINZ STOCKHAUSEN

More from the discography

2013Amour / Der Kleine Harlekin / Wochenkreis2012Karlheinz Stockhausen Dirigiert201212 X 12 - A Musical Zodiac (tierkreis - Ars Nova -2011Karlheinz Stockhausen2009Spiral / Pole / Japan / Zyklus / Tierkreis2009Kontra-punkte / Refrain / Zeitmasze / Schlagtrio2008Percussion Masterpieces2007Natürliche Dauern (2005-06, 3. Stunde Aus Klang, D2007Cosmic Pulses2007Tierkreis2006Himmelfahrt (2004-05) Version Für Synthesizer, Sop2006Freude (2. Stunde Aus Klang, Die 24 Stunden Des Ta2006Eötvös Conducts Stockhausen2005Für Kommende Zeiten2004Zyklus (four Realizations By Max Neuhaus)2004Bassoon Xx2003Freitag Aus Licht2003Tierkreis: 12 Melodien Der Sternzeichen2002Stockhausen 64 - Europa-gruss / Stop Und Start / T2000Piano Music Of The Darmstadt School, Vol. 12000Lichter - Wasser2000Litanei 97/kurzwellen (world Première Radio Bremen2000Klavierstücke I-xiv2000Helikopter-quartett1999Piano Music1999Pupils Of Messiaen: A Cappella Works By Messiaen, 1997Orchester-finalisten (vom Mittwoch Aus Licht)1996Karlheinz Stockhausen: Gruppen / György Kurtág: Gr1996Dienstag Aus Licht1996Klavierstücke I-xi1995Prozession / Ceylon1995Mantra (andreas Grau, Gotz Schumacher)1994Geburts-arien / Mädchenprozession199420th Century Music For Unaccompanied Clarinet1994Klavierstuecke1994Oktophonie1994Klavierstücke (feat. David Tudor)1993Stimmung: Pariser Version 1968 In Zwei Aufnahmen V1993Oberlippentanz / Ave / Tierkreis1993Atmen Gibt Das Leben1993Stockhausen 29 - Der Jahreslauf1993Spiral1993Mixtur (1967)1992Zyklus - Refrain - Kontakte1992Trans1992Tierkreis Für 12 Spieluhren / Musik Im Bauch1992Sirius (1975-77) Elektronische Musik Und Trompete,1992Momente1992Ligeti / Villa-lobos / Barber / Hindemith / Stockh1992Kontra-punkte / Zeitmasze / Stop / Adieu1992Inori1992Michaels Reise (solisten-version)1992Sternklang (1969-71) Parkmusik für 5 Gruppen1992Sirius (1975-77) Elektronische Musik und Trompete,1992Montag aus Licht1992Elektronische Musik 1952-19601991Mantra1991Elektronische Musik 1952–19601991Formel / Schlagtrio / Spiel / Punkte1990Mantra (pianos: Yvar Mikhashoff, Rosalind Bevan, E1990Béla Bartók: Sonata For 2 Pianos & Percussion 1990Mantra (pianos: Yvar Mikhashoff, Rosalind Bevan, e1989Klavierstücke Vol. Ii1988Stravinsky / Boulez / Denisov / Stockhausen / Beri1988Klavierstücke Vol. Iii1988Samstag aus Licht1988Piano Pieces I-VIII (Bernhard Wambach)1987Tierkreis / Oberlippentanz1987Stimmung1987Stimmung (Singcircle)1986Unsichtbare Chöre - Choeurs Invisibles1984Braxton & Stockhausen1980Donnerstag aus Licht1978Harlekin1976Ceylon / Bird of Passage1972Ensemble1970Opus 19701970Kurzwellen1970Illimité1970Aus den sieben TagenCURRENT REVIEW1969Hymnen1968Gruppen / Carré1968Prozession1967Momente (1965 Version)1962Gesang Der Jünglinge / Kontakte1960Kontakte Refrain Zyklus1960Kontakte0Klavierstücke I-XI / Mikrophonie I