Karlheinz Stockhausen - Stimmung: Pariser Version 1968 In Zwei Aufnahmen V
8/10
ALBUM REVIEW

Stimmung: Pariser Version 1968 In Zwei Aufnahmen V

by Karlheinz Stockhausen

Inside Stimmung: Pariser Version 1968 In Zwei Aufnahmen V by Karlheinz Stockhausen

Released1993
ALBUM NOTES

Inside Stimmung: Pariser Version 1968 In Zwei Aufnahmen V by Karlheinz Stockhausen

Stimmung: Pariser Version 1968 In Zwei Aufnahmen V- Album Overview

"Stimmung: Pariser Version 1968 In Zwei Aufnahmen V" is a pivotal work by the influential German composer Karlheinz Stockhausen, released in 1969. This album is part of his exploration into the realm of vocal music and the use of microtonality, a hallmark of his avant-garde style. The recording features a group of six vocalists who create a soundscape that merges traditional singing with experimental techniques, emphasizing the use of overtones and harmonic structures. The album was recorded during a period of profound artistic experimentation, coinciding with the cultural upheaval of the late 1960s. Stockhausen's work in "Stimmung" is distinctive for its fusion of Western musical concepts with Eastern philosophies, notably how sound can transcend mere entertainment to become a meditative experience. The Pariser Version was recorded in France and showcases the collaboration with renowned vocalists who were adept in both classical and avant-garde techniques. "Stimmung" originally premiered in 1968 and has been influential in shaping contemporary music, inspiring countless musicians, composers, and sound artists. The album was released under the Deutsche Grammophon label, known for its commitment to high-quality classical recordings. The work stands as a testament to Stockhausen's innovative approach to composition, focusing on the inner workings of sound and the emotional responses it evokes. The album's significance extends beyond music; it is a reflection of the zeitgeist of the 1960s, a time when artists began to challenge societal norms and engage with deeper philosophical questions through their work. The sonic textures and meditative qualities found in "Stimmung" resonate with listeners, allowing them to experience a journey into the depths of sound and consciousness.



Review

"Stimmung: Pariser Version 1968 In Zwei Aufnahmen V" is a mesmerizing auditory experience that defies conventional music structures. The vocal performances are extraordinary—each singer contributes to an ethereal tapestry of sound that is both haunting and beautiful. The layers of overtones create a rich, immersive environment that challenges the listener's perception of music as a linear narrative. Stockhausen's artistic vision is evident throughout the album, as he skillfully guides the performers to explore the boundaries of their voices, often leading them into uncharted territories of sound. The lack of traditional lyrics allows the music itself to become the medium of expression, evoking deep emotional responses without the constraints of language. While the album may not appeal to all listeners due to its avant-garde nature, those willing to engage with its complexities will find a rewarding experience that emphasizes the beauty of sound as a form of communication. The spiritual and meditative qualities present in "Stimmung" resonate deeply, inviting listeners to reflect on the nature of existence itself.



Highlights

  • Innovative use of vocal techniques that create a unique soundscape.
  • Deep emotional resonance and meditative qualities.
  • A significant cultural artifact reflective of the 1960s avant-garde movement.


Weak points

  • May be challenging for listeners unfamiliar with avant-garde music.
  • The lack of traditional structure can make it difficult to engage with at first.
  • Some may find the prolonged vocal explorations tiresome.


Overall evaluation

"Stimmung: Pariser Version 1968 In Zwei Aufnahmen V" is a landmark album that showcases Stockhausen's innovative spirit and the transformative power of sound. While its avant-garde nature may not resonate with everyone, it remains a crucial work for understanding the evolution of contemporary music.

Personal rating: 8/10
Selected tracks

Continue listening with music from the artist.

KARLHEINZ STOCKHAUSEN

More from the discography

2013Amour / Der Kleine Harlekin / Wochenkreis2012Karlheinz Stockhausen Dirigiert201212 X 12 - A Musical Zodiac (tierkreis - Ars Nova -2011Karlheinz Stockhausen2009Spiral / Pole / Japan / Zyklus / Tierkreis2009Kontra-punkte / Refrain / Zeitmasze / Schlagtrio2008Percussion Masterpieces2007Natürliche Dauern (2005-06, 3. Stunde Aus Klang, D2007Cosmic Pulses2007Tierkreis2006Himmelfahrt (2004-05) Version Für Synthesizer, Sop2006Freude (2. Stunde Aus Klang, Die 24 Stunden Des Ta2006Eötvös Conducts Stockhausen2005Für Kommende Zeiten2004Zyklus (four Realizations By Max Neuhaus)2004Bassoon Xx2003Freitag Aus Licht2003Tierkreis: 12 Melodien Der Sternzeichen2002Stockhausen 64 - Europa-gruss / Stop Und Start / T2000Piano Music Of The Darmstadt School, Vol. 12000Lichter - Wasser2000Litanei 97/kurzwellen (world Première Radio Bremen2000Klavierstücke I-xiv2000Helikopter-quartett1999Piano Music1999Pupils Of Messiaen: A Cappella Works By Messiaen, 1997Orchester-finalisten (vom Mittwoch Aus Licht)1996Karlheinz Stockhausen: Gruppen / György Kurtág: Gr1996Dienstag Aus Licht1996Klavierstücke I-xi1995Prozession / Ceylon1995Mantra (andreas Grau, Gotz Schumacher)1994Geburts-arien / Mädchenprozession199420th Century Music For Unaccompanied Clarinet1994Klavierstuecke1994Oktophonie1994Klavierstücke (feat. David Tudor)1993Stimmung: Pariser Version 1968 In Zwei Aufnahmen VCURRENT REVIEW1993Oberlippentanz / Ave / Tierkreis1993Atmen Gibt Das Leben1993Stockhausen 29 - Der Jahreslauf1993Spiral1993Mixtur (1967)1992Zyklus - Refrain - Kontakte1992Trans1992Tierkreis Für 12 Spieluhren / Musik Im Bauch1992Sirius (1975-77) Elektronische Musik Und Trompete,1992Momente1992Ligeti / Villa-lobos / Barber / Hindemith / Stockh1992Kontra-punkte / Zeitmasze / Stop / Adieu1992Inori1992Michaels Reise (solisten-version)1992Sternklang (1969-71) Parkmusik für 5 Gruppen1992Sirius (1975-77) Elektronische Musik und Trompete,1992Montag aus Licht1992Elektronische Musik 1952-19601991Mantra1991Elektronische Musik 1952–19601991Formel / Schlagtrio / Spiel / Punkte1990Mantra (pianos: Yvar Mikhashoff, Rosalind Bevan, E1990Béla Bartók: Sonata For 2 Pianos & Percussion 1990Mantra (pianos: Yvar Mikhashoff, Rosalind Bevan, e1989Klavierstücke Vol. Ii1988Stravinsky / Boulez / Denisov / Stockhausen / Beri1988Klavierstücke Vol. Iii1988Samstag aus Licht1988Piano Pieces I-VIII (Bernhard Wambach)1987Tierkreis / Oberlippentanz1987Stimmung1987Stimmung (Singcircle)1986Unsichtbare Chöre - Choeurs Invisibles1984Braxton & Stockhausen1980Donnerstag aus Licht1978Harlekin1976Ceylon / Bird of Passage1972Ensemble1970Opus 19701970Kurzwellen1970Illimité1970Aus den sieben Tagen1969Hymnen1968Gruppen / Carré1968Prozession1967Momente (1965 Version)1962Gesang Der Jünglinge / Kontakte1960Kontakte Refrain Zyklus1960Kontakte0Klavierstücke I-XI / Mikrophonie I