Sixty-two Mesostics Re Merce Cunningham

Sixty-two Mesostics Re Merce Cunningham- Album Overview

Released in 1997, "Sixty-two Mesostics Re Merce Cunningham" is a significant work by the avant-garde composer John Cage, reflecting his deep collaboration with the choreographer Merce Cunningham. The album, released by the prestigious label Mode Records, features Cage's innovative approach to text and sound, showcasing his unique method of mesostic composition. Mesostics are a form of poetry where a vertical word or phrase runs through the center of lines of text, a technique Cage utilized to honor Cunningham's artistic legacy. The album contains 62 mesostics, which Cage composed using a variety of techniques that echo his experimental ethos, merging music, poetry, and performance art into a cohesive whole. Cage's collaboration with Cunningham was pivotal, influencing both the worlds of dance and music. The recording features the spoken word, along with Cage's signature prepared piano sound, creating an intricate tapestry of sound that resonates with the core of modernist expression. This album is not only a tribute to Cunningham but also a reflection of Cage's philosophical inquiries into the nature of chance and creativity. With its blend of spoken word and abstract soundscapes, "Sixty-two Mesostics Re Merce Cunningham" serves as a vital document of the interdisciplinary art movements of the late 20th century, encapsulating the experimental spirit of its time.

Review

John Cage's "Sixty-two Mesostics Re Merce Cunningham" presents a challenging yet rewarding auditory experience. The album's sound is distinctly Cage, characterized by a blend of silence and unexpected sonic events that encourage deep listening. The mesostics, recited by a range of voices, unfold like a delicate web, inviting listeners to engage with the text both intellectually and emotionally. The artistic vision behind this work is rooted in Cage's philosophy of chance, which he often employed in his compositions. Each mesostic is not merely a poetic endeavor but a reflection of the spontaneity and unpredictability that Cage celebrated throughout his career. The interplay between the spoken word and prepared piano creates an atmosphere that is both intimate and expansive, challenging traditional notions of music and poetry. The album may not be approachable for all listeners, as its abstract nature can be daunting, but those willing to explore will find a rich landscape of ideas and emotions that resonate well beyond its runtime.

Highlights

• The innovative use of mesostic poetry creates a unique listening experience.
• Cage's prepared piano techniques add depth and texture to the spoken word.
• The album serves as a poignant tribute to the artistic partnership between Cage and Cunningham.

Weak points

• The esoteric nature of the content may alienate casual listeners.
• Some may find the lack of traditional musical structure challenging.
• The album's abstract qualities require focused listening that may not suit all moods.

Overall evaluation

"Sixty-two Mesostics Re Merce Cunningham" is a profound exploration of sound, language, and the intersections of art forms. While it may pose challenges for some, its rich tapestry of ideas and innovative structures make it a significant contribution to contemporary music and poetry.