New York Is Now

New York Is Now- Album Overview

"New York Is Now" is a landmark album by the avant-garde jazz icon Ornette Coleman, released in 1968 under the Blue Note label. This album marks a significant point in Coleman's discography as it showcases his innovative approach to jazz, emphasizing the importance of collective improvisation alongside structured melodies. The album was recorded during a period when Coleman was exploring the intersection of jazz and various other musical styles, leading to a rich tapestry of sound that reflects the vibrant cultural atmosphere of New York City at the time.

The album features a stellar lineup of musicians, including the legendary trumpet player Don Cherry, bassist Charlie Haden, drummer Ed Blackwell, and the dynamic saxophonist Dewey Redman. Notably, this collaboration brought together diverse influences and styles, enriching the album's sonic palette. The sessions for "New York Is Now" took place in a unique creative environment, where Coleman encouraged his band members to express themselves freely, leading to spontaneous compositions that are emblematic of his philosophy on music.

The album consists of five tracks: "The Garden of Souls," "The Circle with a Hole in the Middle," "Dancing in Your Head," "The Good Life," and "Broadway Blues." Each piece is a testament to Coleman's ability to blend various elements, resulting in a sound that defies traditional jazz norms. "New York Is Now" not only showcases Coleman's pioneering spirit but also serves as a reflection of the social and artistic upheaval of the 1960s, making it a vital entry in the jazz canon. The album's release was met with a mix of anticipation and skepticism, as critics and listeners alike grappled with Coleman's continued evolution as an artist.

Review

The sound of "New York Is Now" is a bold exploration of jazz that challenges conventional structures and embraces a free-form aesthetic. The opening track, "The Garden of Souls," sets the tone with its intricate interplay between instruments, showcasing Coleman's signature use of melody and rhythm. Throughout the album, the musicians exhibit a profound understanding of each other's playing, resulting in a cohesive yet dynamic listening experience. Don Cherry's trumpet work is particularly noteworthy, often soaring above the ensemble in a way that is both lyrical and adventurous.

Lyrically, the album is instrumental, allowing the music itself to convey its messages. Each track feels like a conversation, with musicians responding to one another in real-time, reflecting the essence of improvisation. This artistic vision aligns with Coleman's belief in the communal aspect of music-making, where the collective effort of the group creates a greater whole. While some listeners may find the lack of conventional song structures challenging, aficionados of avant-garde jazz will appreciate the depth and complexity present in each performance.

Highlights

• Innovative use of collective improvisation that enhances the listening experience.
• Stellar performances from an elite ensemble of jazz musicians.
• Rich, complex sound that reflects the cultural vibrancy of late 1960s New York City.

Weak points

• The unconventional structure may alienate traditional jazz listeners.
• Some tracks may feel overly abstract or chaotic for casual listeners.
• Limited commercial appeal, making it less accessible to a broader audience.

Overall evaluation

"New York Is Now" stands as a testament to Ornette Coleman's visionary approach to jazz and his ability to push boundaries. While it may challenge conventional jazz norms, it ultimately rewards attentive listeners with its rich textures and profound musical conversations. This album is a crucial part of Coleman's legacy and a must-listen for those interested in the evolution of jazz.