Bill Evans – What's New: track-by-track perspective
What's New- Album Overview
Released in 1970, "What's New" is a quintessential jazz album by the legendary pianist Bill Evans. This album showcases Evans' profound influence on the jazz genre and his unique approach to harmony and melody. Recorded for the Fantasy Records label, "What's New" features a stellar lineup of musicians, including bassist Eddie Gomez and drummer Marty Morell, both of whom were integral to Evans' sound during the late 1960s and early 1970s. The album consists of seven tracks, blending original compositions with jazz standards, a hallmark of Evans' work.
The recording sessions took place at the Village Vanguard in New York City, a venue synonymous with jazz history, where Evans had previously recorded several iconic albums. The title track, "What's New," is a poignant ballad that highlights Evans' lyrical playing style, while tracks like "Waltz for Debby" and "My Foolish Heart" demonstrate his ability to transform standard melodies into deeply personal expressions. This album reflects the emotional depth and introspective nature of Evans' artistry, a significant evolution in the jazz idiom during the period.
"What's New" not only solidified Evans' status as a jazz innovator but also resonated with a broader audience, bridging the gap between traditional jazz and the emerging forms of contemporary music. It was a pivotal moment in his career, showcasing his mastery of the piano and his collaborative spirit with other musicians. The album remains a landmark in jazz history, influencing generations of pianists and listeners alike.
Review
Musically, "What's New" is a testament to Bill Evans' genius as a pianist and composer. The album boasts a rich tapestry of sounds, seamlessly weaving together complex harmonies and delicate melodies. Evans' signature style is evident throughout, characterized by his use of lush chords and subtle rhythms. Each track is a journey, inviting listeners to immerse themselves in the emotive landscapes he creates.
The lyrical content of the songs, while often abstract, conveys a profound sense of vulnerability and introspection. The interplay between Evans and his collaborators adds depth to the overall sound, with Gomez and Morell providing a responsive and dynamic foundation that allows Evans' piano lines to soar. The artistic vision behind "What's New" is clear: to explore the nuances of human emotion through the medium of jazz, and in this, Evans truly excels.
Highlights
- Evans' masterful piano technique and emotive playing shine throughout the album.
- The rich interplay between the trio creates a captivating listening experience.
- Tracks like "What's New" and "Waltz for Debby" demonstrate timeless elegance and depth.
Weak points
- Some may find the album's pace slow compared to more upbeat jazz records.
- Limited variety in tempo and mood might not appeal to all listeners.
- As a live recording, occasional imperfections in performance may detract from the polished studio sound.
Overall evaluation
"What's New" stands as a significant addition to Bill Evans' discography, encapsulating his unique artistry and emotional depth. While it may not cater to every jazz fan's taste, its beauty and introspective qualities make it an essential listen for anyone looking to understand the evolution of jazz.
Personal rating: 9/10
1975Alone (Again)
1974Symbiosis
1973My Foolish Heart
1969Alone
1966Intermodulation
1964Waltz for Debby
1963Conversations With Myself
1962Undercurrent
1959Everybody Digs Bill Evans
1956New Jazz Conceptions