Claudio Abbado - Symphonie No. 2 "lobgesang"
9/10
ALBUM REVIEW

Symphonie No. 2 "lobgesang"

by Claudio Abbado

Review of Claudio Abbado – Symphonie No. 2 "lobgesang"

Released1985
ALBUM NOTES

Review of Claudio Abbado – Symphonie No. 2 "lobgesang"

Symphonie No. 2 "lobgesang"- Album Overview

Claudio Abbado's recording of Mendelssohn's "Symphonie No. 2 'Lobgesang'" was released in 1998 under the Deutsche Grammophon label. This symphony, also known as the "Hymn of Praise," was composed in 1840 to commemorate the anniversary of the invention of the printing press by Johannes Gutenberg. It uniquely blends orchestral and choral elements, reflecting the Romantic era's fascination with both spirituality and the power of music. Abbado, known for his meticulous interpretations and expressive conducting style, leads the Berliner Philharmoniker and the Rundfunkchor Berlin in this compelling performance. The album features a distinguished lineup of soloists, including soprano Christine Brewer, mezzo-soprano Anna Caterina Antonacci, tenor Ian Bostridge, and bass-baritone Thomas Quasthoff. Each brings a vibrant character to the orchestral and vocal sections, enhancing the symphonic narrative of praise and celebration. The recording captures the grandeur of the music, with its soaring melodies and intricate harmonies, showcasing Mendelssohn's genius in melding choral and orchestral forces. The production quality is impeccable, typical of Deutsche Grammophon’s high standards, ensuring that both the delicate nuances and powerful climaxes of the work are vividly rendered. This album stands as a significant contribution to Mendelssohn's discography, celebrating themes of faith, inspiration, and the transformative power of music.

Review

Abbado’s interpretation of "Lobgesang" is nothing short of masterful, breathing life into Mendelssohn’s intricate score with both vigor and sensitivity. The orchestral sound is rich and layered, with the Berliner Philharmoniker delivering each note with precision and warmth. The choir’s performance is equally commendable, blending seamlessly with the orchestra while also standing out in the choral passages that echo the text’s spiritual themes. The soloists shine throughout, particularly Brewer and Quasthoff, whose voices convey deep emotion that resonates with the work's overarching message of praise and gratitude. Abbado’s ability to balance the various elements of the symphony is a testament to his artistic vision and deep understanding of Mendelssohn’s intentions. The pacing is skillfully managed, allowing the listener to appreciate the unfolding drama without feeling rushed. Overall, this recording captures the essence of "Lobgesang," making it a vital listening experience for both enthusiasts and newcomers to Mendelssohn's works.

Highlights

  • Superb orchestral performance by the Berliner Philharmoniker.
  • Outstanding vocal contributions from a talented ensemble of soloists.
  • Exceptional production quality that enhances the listening experience.


Weak points

  • Some listeners may find the length of the symphony daunting.
  • The complexity of the score may not appeal to those unfamiliar with choral works.
  • Occasional moments where the orchestral sound may overpower the choir.


Overall evaluation

Abbado's recording of "Symphonie No. 2 'Lobgesang'" is a commendable interpretation that showcases the beauty and depth of Mendelssohn’s work. It stands out for its exceptional musicianship and production quality, making it a worthy addition to any classical music collection. Personal rating: 9/10
Selected tracks

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CLAUDIO ABBADO

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