Hair

Hair- Album Overview

Stan Kenton's "Hair" was released in 1970, marking a significant departure from the traditional big band sound that had defined much of his earlier work. This album is a jazz adaptation of the rock musical "Hair," which had gained immense popularity in the late 1960s. Kenton, known for his innovative orchestral arrangements and progressive jazz style, took the bold step of incorporating the energetic and free-spirited essence of rock into his big band framework. The album was produced under the Creative World label, which Kenton had established to have more creative control over his projects. Recording took place in a time when jazz was evolving, and Kenton sought to bridge the gap between jazz and contemporary popular music. The album features a large ensemble of talented musicians, showcasing Kenton's skill in orchestration and arrangement. Collaborators included notable jazz musicians such as Maynard Ferguson and Bill Holman, who contributed to the dynamic sound of the album. "Hair" includes tracks that are interpretations of the musical's most famous songs, such as "Aquarius" and "Let the Sunshine In," but they are infused with Kenton's signature brass-heavy arrangements. The album's release came at a time of great cultural upheaval in America, and Kenton's interpretations reflected the zeitgeist of the era, capturing the youthful spirit of rebellion and change. Although the album did not achieve the commercial success of its rock counterpart, it is recognized for its innovative fusion of genres and remains a significant part of Kenton's legacy, showcasing his willingness to experiment and adapt to the changing musical landscape.

Review

"Hair" presents itself as a bold exploration of the intersection between jazz and rock, with Kenton’s arrangements offering a fresh take on familiar tunes. The album's orchestration is nothing short of ambitious; Kenton’s big band approach breathes new life into the melodies, transforming them into complex jazz pieces while maintaining the spirit of the original songs. The brass sections are particularly powerful, evoking a sense of urgency and excitement that mirrors the rebellious nature of the musical's themes. However, some listeners might find the transition from rock to jazz jarring, as the interpretations diverge significantly from the original compositions. Kenton’s vision reflects a time when jazz was starting to embrace rock influences, but purists may struggle with the reinterpretations. The album's production quality is commendable, capturing the rich textures of the ensemble, yet some tracks may feel overly orchestrated, losing the raw energy that characterized the original "Hair" musical. Overall, "Hair" is a testament to Kenton's artistic vision and willingness to push boundaries, though it may resonate more with jazz enthusiasts than those seeking a straightforward rendition of the rock musical.

Highlights

• Innovative fusion of jazz and rock elements
• Powerful brass arrangements that energize the music
• Showcases Kenton's orchestral mastery and creativity

Weak points

• Some tracks may feel overly orchestrated and lose original energy
• May not appeal to purists of either genre
• Lacks the commercial impact of the original "Hair" musical

Overall evaluation

"Hair" by Stan Kenton stands as a unique exploration of musical boundaries, demonstrating the potential for jazz to adapt and evolve in response to contemporary influences. While it may not capture the essence of the original musical for all listeners, it remains an important piece in Kenton's discography and a reflective commentary on the era's cultural shifts. Personal rating: 7/10