High Crime

High Crime- Album Overview

Released in 1986, "High Crime" marks the seventh studio album by the acclaimed jazz and pop vocalist Al Jarreau. This work came out under the Warner Bros. Records label, showcasing Jarreau's unique fusion of jazz, R&B, and pop, a signature style that garnered him widespread acclaim throughout his career. The album was produced by the celebrated David Foster, known for his work with numerous high-profile artists, and it features a collection of tracks that blend smooth melodies with intricate vocal arrangements.

The recording sessions took place in Los Angeles, where Jarreau collaborated with a talented lineup of musicians, including prominent names like Paulinho Da Costa and Nathan East. The album’s lead single, "Mornin'," became a significant hit, reaching high positions on various music charts and contributing to the album's commercial success. Other notable tracks include "We're in This Love Together" and "High Crime," both of which showcase Jarreau's signature vocal improvisation and ability to convey deep emotion through his music.

Musically, "High Crime" reflects the mid-1980s sound, characterized by polished production and a blend of contemporary pop elements. The album also holds cultural significance, as it represents a period when jazz was increasingly merging with mainstream pop, appealing to a broader audience and helping to elevate the genre's profile. Despite facing some criticism for its commercial sound, the album remains a testament to Jarreau's versatile talents and lasting impact on the music industry.

Review

Upon listening to "High Crime," one is struck by Al Jarreau's remarkable vocal prowess, which effortlessly navigates between soaring high notes and smooth, sultry tones. The production by David Foster is polished, giving the album a contemporary feel that aligns with the pop trends of the mid-80s. However, while the sound is undeniably slick, some purists may find the album lacks the raw authenticity often associated with jazz. The lyrical content is engaging, often reflecting themes of love and connection, yet it occasionally veers towards the clichéd, which can detract from Jarreau's otherwise compelling delivery.

Artistically, Jarreau's vision remains intact, showcasing his ability to blend various genres and appeal to a diverse audience. The album's arrangements, featuring lush instrumentation and intricate harmonies, highlight his unique vocal style. However, listeners might find that the commercial aspects of the album overshadow its artistic depth, leading to a somewhat mixed reception among long-time fans.

Highlights

• Exceptional vocal performance showcasing Jarreau's range and improvisational skills.
• Strong production quality with well-crafted arrangements that enhance the listening experience.
• Memorable singles like "Mornin'" and "We're in This Love Together" that have enduring appeal.

Weak points

• Some tracks may feel overly polished, lacking the rawness typical of jazz.
• Lyrical themes can be somewhat clichéd, which might detract from the overall impact.
• Critics argue that the album leans too heavily into mainstream pop sensibilities at the expense of artistic integrity.

Overall evaluation

"High Crime" stands as a significant entry in Al Jarreau's discography, showcasing his vocal talents and ability to blend genres. While it may not satisfy all jazz purists, its commercial success and memorable tracks make it a noteworthy album of the 1980s.