The Afghan Whigs - Do to the Beast
8/10
ALBUM REVIEW

Do to the Beast

by The Afghan Whigs

The Afghan Whigs raises the bar with Do to the Beast

Released2014 Duration0:40:52
ALBUM NOTES

The Afghan Whigs raises the bar with Do to the Beast

Do to the Beast- Album Overview

"Do to the Beast," the sixth studio album by the American rock band The Afghan Whigs, marks a significant return for the band, released on April 15, 2014, after a 16-year hiatus since their last album, "1965." The album was released through Sub Pop, a label known for its influential role in the 1990s alternative rock scene. The recording sessions took place in various locations, including the band’s studio in Los Angeles and the renowned Sunset Sound Studios. Notably, the album was produced by the band’s frontman, Greg Dulli, whose vision and artistic direction are palpable throughout the record. The album features a roster of talented collaborators, including guitarist and producer Richard Paden, and marks the return of original members John Curley and Rick McCollum, alongside new member, drummer Cully Symington. "Do to the Beast" includes standout singles such as "Algiers," "The Lottery," and "Can Rova," which showcase the band’s signature blend of rock, soul, and R&B influences. Thematically, the album dives into complex emotions and personal narratives, encapsulating Dulli’s introspective songwriting style. Musically, the album reflects a mature sound that resonates with both longtime fans and new listeners, affirming The Afghan Whigs' relevance in the contemporary music landscape. Its release was met with critical acclaim, heralding it as a significant comeback and further solidifying the band's legacy in the rock genre.



Review

The sound of "Do to the Beast" is a powerful amalgamation of grunge, soul, and a touch of gothic rock, showcasing The Afghan Whigs' ability to evolve while retaining their distinctive identity. Greg Dulli's raspy, emotive vocals are at the forefront, weaving through the intricate guitar work and lush instrumentation that defines the album’s rich sonic palette. Lyrically, the album delves deep into themes of love, loss, and redemption, often reflecting a sense of vulnerability that is both haunting and relatable. The artistic vision behind "Do to the Beast" is clear: Dulli and his bandmates have crafted an album that feels both timely and timeless. Tracks like "Algiers" feature a brooding intensity, with lyrics that capture a sense of longing and despair, while "The Lottery" offers a more upbeat yet melancholic perspective on the unpredictability of life and relationships. The production quality is impeccable, allowing each instrument to shine while maintaining a cohesive sound throughout the album. Overall, "Do to the Beast" is not just a return; it is a bold statement that underscores The Afghan Whigs' undying spirit and creative prowess in a rapidly changing musical landscape.



Highlights

  • Rich, multi-layered sound that combines various genres seamlessly.
  • Thought-provoking lyrics that resonate with deep emotional themes.
  • Strong production quality that enhances the listening experience.


Weak points

  • Some tracks may feel slower-paced compared to the band’s earlier work.
  • Lacks the raw edge of their 1990s albums, which may alienate long-time fans.
  • Occasional repetition in lyrical themes across songs.


Overall evaluation

"Do to the Beast" is a remarkable return for The Afghan Whigs, blending their classic sound with new influences while exploring profound emotional depths. The album stands as a testament to their artistry and ability to connect with listeners on multiple levels.

Personal rating: 8/10

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