The Sir Douglas Quintet - Wanted Very Much Alive
8/10
ALBUM REVIEW

Wanted Very Much Alive

by The Sir Douglas Quintet

The Sir Douglas Quintet – Wanted Very Much Alive: a sonic journey

Released1979
ALBUM NOTES

The Sir Douglas Quintet – Wanted Very Much Alive: a sonic journey

Wanted Very Much Alive- Album Overview

The Sir Douglas Quintet's "Wanted Very Much Alive" was released in 1970, marking a significant moment in the evolution of Tex-Mex rock music. The album was produced by the legendary Huey P. Meaux and released under the Smash Records label. Known for blending rock, country, and Tejano influences, the Quintet, led by the charismatic Doug Sahm, created a sound that was both distinctly American and deeply rooted in their Texan heritage. Recording sessions took place in various studios across Texas, where Sahm and his bandmates—who included the talented Augie Meyers and Freddie Fender—crafted songs that would resonate with a broad audience. The album featured standout tracks like "Mendocino," which became a hit single, and "She's About a Mover," showcasing the band's catchy melodies and vibrant instrumentation. The significance of "Wanted Very Much Alive" lies not only in its musical innovation but also in its cultural context. At a time when the music scene was dominated by more mainstream rock acts, the Quintet provided a refreshing alternative that celebrated the diverse musical landscape of the Southwest. Their ability to blend genres paved the way for future artists, emphasizing the importance of regional sounds in the broader tapestry of American music.

Review

"Wanted Very Much Alive" is a sonic tapestry that captures the essence of the Sir Douglas Quintet's eclectic style. The album opens with the infectious "Mendocino," a track that melds jangly guitars with a laid-back groove, setting the tone for the journey ahead. The lyrics often reflect a sense of longing and nostalgia, infused with Sahm's signature wit and charm. Musically, the album showcases a diverse array of influences, from Tex-Mex rhythms to rock and roll sensibilities, creating a sound that is both unique and accessible. The interplay between the instruments is particularly noteworthy; the organ riffs from Augie Meyers add a distinctive flair, while the rhythm section drives the energy forward. Lyrically, Sahm's storytelling shines in tracks like "Texas Me," where he weaves personal experiences with broader cultural themes. This mix of the personal and the universal is what gives the album its depth and resonance. Overall, "Wanted Very Much Alive" reflects the artistic vision of a band unafraid to blend genres and explore their roots, making it a timeless piece in the annals of American music history.

Highlights

  • Infectious melodies that blend rock, country, and Tejano influences
  • Strong lyrical storytelling that resonates with personal and cultural themes
  • Exceptional musicianship, particularly the organ work by Augie Meyers


Weak points

  • Some tracks may feel dated to modern listeners unfamiliar with the genre
  • The production may lack the polish found in contemporary recordings
  • Not all songs achieve the same level of lyrical depth


Overall evaluation

"Wanted Very Much Alive" is a vibrant showcase of The Sir Douglas Quintet's innovative spirit and cultural significance in the music landscape of the 1970s. While it may exhibit some age in production quality, the album's charm and eclectic sound remain compelling. Personal rating: 8/10
Selected tracks

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THE SIR DOUGLAS QUINTET

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