Too Close to Heaven

Too Close to Heaven- Album Overview

Released on September 12, 1990, "Too Close to Heaven" is the fifth studio album by the Scottish band The Waterboys. This album marked a significant shift in the band's sound, moving away from the exuberant energy of their earlier works towards a more introspective and diverse sonic palette. The album was produced by the band's frontman, Mike Scott, and released under the Ensign label. Recording took place in various studios, including the famed Windmill Lane Studios in Dublin, where the band experimented with a range of instruments and arrangements that emphasized their folk rock roots while incorporating elements of pop and rock.

This album features notable tracks such as "The Whole of the Moon," "Don't Bang the Drum," and "A Bang on the Ear," with the latter two being released as singles. While "Too Close to Heaven" did not achieve the same commercial success as its predecessor, "Fisherman's Blues," it is lauded for its lyrical depth and musical experimentation. Collaborators on the album included musicians such as Anthony Thistlethwaite and Karl Wallinger, who brought diverse influences to the mix. The themes of the album explore love, loss, and the search for meaning, set against rich, atmospheric backdrops.

Musically, "Too Close to Heaven" reflects the cultural landscape of the early '90s, where artists began to fuse genres and explore new styles. The Waterboys' willingness to evolve their sound has cemented their status as pioneers in the folk rock genre, paving the way for future artists to blend traditional and contemporary sounds.

Review

"Too Close to Heaven" presents a fascinating exploration of The Waterboys' artistic evolution. The album juxtaposes lush instrumentation with introspective lyrics, a hallmark of Mike Scott's songwriting. The soundscape ranges from the ethereal to the grounded, with tracks like "The Whole of the Moon" showcasing sweeping melodies and poignant lyricism that resonate deeply with listeners. Scott’s voice is both powerful and vulnerable, effectively conveying a sense of longing and reflection.

While the album does feature standout tracks, some critics argue that it lacks the energetic punch of earlier works like "This Is the Sea." However, this shift could also be interpreted as a maturation of the band's sound, opting for a more contemplative approach rather than the exuberant folk-rock energy that defined their earlier years. The production quality is top-notch, with the instrumentation beautifully layered, allowing each element—from strings to percussion—to shine in its own right. This album is not merely a collection of songs; it is a cohesive narrative that invites listeners to journey through its emotional landscapes.

Highlights

• Rich lyrical content that delves into profound themes of love and existence.
• Beautiful instrumentation that showcases the band's musical versatility.
• Standout tracks like "The Whole of the Moon" remain timeless and impactful.

Weak points

• Lacks the commercial appeal and energy of earlier albums, which may alienate some fans.
• Some tracks may feel overly introspective, potentially alienating listeners seeking a more upbeat sound.
• The production, while polished, can sometimes overshadow the rawness that characterized earlier works.

Overall evaluation

"Too Close to Heaven" is a bold statement of artistic growth for The Waterboys, showcasing their ability to evolve while maintaining a commitment to lyrical depth and musicality. While it may not resonate with every fan of their earlier work, it stands as a testament to their willingness to explore new creative territories.