The Roar of the Greasepaint - The Smell of the Cro

Album overview

"The Roar of the Greasepaint - The Smell of the Crowd" is a studio album by renowned jazz pianist Ahmad Jamal, released in 1965 under the Argo label. This album is a notable exploration of Broadway and theatrical music, presenting Jamal's unique interpretation of the songs from the musical of the same name by Leslie Bricusse and Anthony Newley. Recorded in Chicago, the album features Jamal's signature trio setup, including bassist Israel Crosby and drummer Vernel Fournier, whose synergy creates a captivating jazz ambiance. The album encompasses tracks such as "Feeling Good" and "The Joker," illustrating Jamal's skillful blending of jazz improvisation with theatrical melodies. It stands as a cultural touchstone, bridging the worlds of jazz and Broadway while showcasing Jamal's artistic vision and innovative approach to interpretation.

Review

The album opens with a vibrant rendition of "Feeling Good," setting an exhilarating tone that carries throughout the project. Jamal's approach to rhythm and melody offers a fresh perspective on familiar themes, allowing listeners to experience the essence of the songs anew. His deft piano work is complemented by a tight-knit rhythm section, creating a powerful interplay that is both engaging and dynamic. The arrangements are masterful, showcasing Jamal’s ability to navigate complex harmonies while maintaining an accessible sound. The album resonates with a sense of freedom and creativity, making it a standout in Jamal's discography and a noteworthy contribution to the jazz genre.

Highlights

• Innovative arrangements that breathe new life into classic Broadway songs.
• Exceptional interplay among the trio, highlighting Jamal's virtuosity.
• The seamless blend of jazz with theatrical elements, appealing to a broader audience.

Weak points

• Some tracks may feel less impactful compared to the standout pieces.
• The album's theatrical roots might not resonate with every jazz purist.
• Occasional moments of predictability in arrangement choices.

Overall evaluation

"The Roar of the Greasepaint - The Smell of the Crowd" is a vibrant fusion of jazz and theatrical music, showcasing Ahmad Jamal's innovative spirit and technical prowess. It stands as a testament to his ability to reinterpret and revitalize classic material, making it both a delightful listen and a significant work in jazz history.