Taking Over

Taking Over- Album Overview

"Taking Over" is the third studio album by the American thrash metal band Overkill, released on February 14, 1987. This album came out through the Megaforce Records label, further solidifying Overkill’s presence in the burgeoning metal scene of the late 1980s. The recording took place at the famous Carriage House Studios in Stamford, Connecticut, and was produced by the band’s guitarist, Bobby Gustafson, alongside the band's longtime collaborator, engineer and producer, Terry Date, who would later gain fame for his work with various other heavy metal acts.

"Taking Over" features a notable lineup, including vocalist Bobby "Blitz" Ellsworth, bassist D.D. Verni, guitarist Bobby Gustafson, and drummer Sid Falck. The album is significant for its aggressive sound and complex songwriting, combining elements of speed metal with lyrical themes that explore personal and societal issues. It includes tracks that would become staples in Overkill’s live performances, such as "Fear His Name," "Hello From the Gutter," and "Deny the Cross." The album was well-received upon release, bolstering the band's reputation as pioneers of thrash metal.

The singles released from "Taking Over," particularly "Hello From the Gutter," showcased the band's ability to blend intense musicality with catchy hooks, appealing to both hardcore metal fans and a broader audience. The album’s cover art, created by graphic artist Ed Repka, became iconic within the thrash metal community, reflecting the raw energy and themes present in the music. "Taking Over" is often cited by critics as a key release in the thrash metal genre, marking a pivotal moment in Overkill's career and contributing to the evolution of heavy metal in the 1980s.

Review

The sound of "Taking Over" is quintessential thrash metal, characterized by fast-paced rhythms, aggressive guitar riffs, and powerful vocals. Overkill's ability to write intricate song structures while maintaining a raw edge is particularly evident on tracks like "Deny the Cross," where the interplay between Gustafson’s blistering solos and Verni’s thunderous bass lines creates a compelling listening experience. Lyrically, the album delves into darker themes, with Blitz's distinctive vocal style adding an extra layer of intensity and urgency. The artistic vision behind "Taking Over" is clear: to push the boundaries of thrash while remaining true to their roots, resulting in an album that is both a reflection of its time and timeless in its execution.

Overall, the album showcases Overkill’s technical prowess and lyrical depth, setting a high bar for subsequent releases in the genre. While it may not possess the same level of mainstream recognition as some of its contemporaries, "Taking Over" remains a celebrated classic among thrash metal aficionados.

Highlights

• Powerful and intricate guitar work that exemplifies the thrash metal genre.
• Engaging and socially conscious lyrics that resonate with listeners.
• A strong production quality that captures the raw energy of the band's live performances.

Weak points

• Some tracks may feel formulaic compared to the band's later, more experimental works.
• The production, while strong, can occasionally overshadow the nuanced elements of the songwriting.
• The album's length may feel excessive for listeners unfamiliar with the genre.

Overall evaluation

"Taking Over" stands as a pivotal release in Overkill's discography and a defining moment in thrash metal history. Its combination of aggression, technical skill, and thoughtful lyrics makes it a must-listen for fans of the genre.