Strangeways, Here We Come

Strangeways, Here We Come- Album Overview

Strangeways, Here We Come, released on September 28, 1987, stands as the fourth and final studio album by the iconic English rock band The Smiths. Released through Rough Trade Records, the album was produced by Stephen Hague and features a notable shift in sound compared to the band's earlier work. With its blend of jangle pop, rock, and elements of alternative music, Strangeways is often considered a mature reflection of the band's artistic evolution. The recording sessions took place at the Wool Hall Studios in Bath, England, where tensions within the band were palpable, leading to the eventual dissolution of The Smiths shortly after the album's release. The album features several well-crafted tracks, including the singles "I Started Something I Couldn't Finish," "Girlfriend in a Coma," and "Last Night I Dreamt That Somebody Loved Me." These songs encapsulate the band's signature blend of melancholic lyrics and catchy melodies, with frontman Morrissey's introspective and often poignant lyricism shining through. Collaborators on the album included keyboardist Craig Gannon, who added depth to the band's sound, and the distinctive guitar work of Johnny Marr, whose intricate arrangements contributed to the album's cohesive and atmospheric quality. Culturally, Strangeways, Here We Come is significant not only for its musical innovations but also for its commentary on love, loss, and identity, resonating with a generation that felt the weight of social change in the late 1980s. The album has since been regarded as a seminal work in the indie and alternative rock movements, influencing countless artists and maintaining its relevance in modern music discourse.

Review

Strangeways, Here We Come is a remarkable encapsulation of The Smiths' unique sound, expertly blending introspective lyrics with lush instrumentation. The album opens with "The Boy with the Thorn in His Side," a track that immediately sets a tone of bittersweet longing, showcasing Morrissey's ability to convey deep emotion through his distinctive vocal delivery. Johnny Marr's guitar work is both intricate and melodic, creating a rich soundscape that complements the lyrical themes of alienation and heartache. Tracks like "Girlfriend in a Coma" and "I Started Something I Couldn't Finish" exemplify the band's capacity for catchy hooks while still maintaining a sense of melancholy. Morrissey's lyrics are filled with vivid imagery and sardonic wit, reflecting his complex relationship with love and societal expectations. The production by Stephen Hague adds a polished touch to the album, making it accessible while still retaining the band's signature edge. Overall, Strangeways, Here We Come serves as a poignant farewell from The Smiths, capturing the essence of their artistic vision as they navigated personal and professional turmoil. It's a testament to their enduring legacy and a must-listen for fans of alternative rock.

Highlights

• Intricate guitar melodies and rich instrumentation
• Poignant and introspective lyrics that resonate deeply
• Strong singles that showcase the band's distinctive sound

Weak points

• Some tracks may feel less impactful compared to earlier works
• The album's polished production might alienate fans of their rawer sound
• Tensions within the band led to a lack of cohesion in some areas

Overall evaluation

Strangeways, Here We Come is a bittersweet conclusion to The Smiths' career, encapsulating their brilliance in songwriting and musicality. It showcases the band's evolution while leaving a lasting impact on the music landscape. Personal rating: 9/10