Say Blow By Blow Backwards

Say Blow By Blow Backwards- Album Overview

Released in 2008 under the label Jungle Records, "Say Blow By Blow Backwards" marks a significant entry in the discography of trombonist and bandleader Fred Wesley. Known for his influential work with the legendary band Parliament-Funkadelic, Wesley continues to explore the boundaries of funk and jazz with this album. The recording sessions took place in various locations, showcasing a blend of live instrumentation and studio finesse that pays homage to the rich traditions of both genres.

This album features a collaborative effort with a diverse group of musicians, including saxophonist David Sanborn and keyboardist Bernie Worrell, both of whom add their distinctive sounds to the mix. The album consists of tracks that reflect Wesley's deep roots in funk while also embracing elements of jazz and soul, highlighting his versatility as an artist. Notable tracks include "The Funky Tuba," which exemplifies Wesley's mastery of the trombone and his ability to engage listeners with infectious grooves. The album’s title itself is a playful nod to the improvisational nature of jazz, suggesting a backward glance at the genre's evolution and a forward push into new territories.

Culturally, "Say Blow By Blow Backwards" serves as a testament to Wesley's enduring influence in the music scene, bridging generational gaps and celebrating the legacy of funk. It captures the essence of a musician who has spent decades at the forefront of innovation, showing that the spirit of funk is alive and well. Moreover, the album's sound resonates with both longtime fans of Wesley and new listeners, reinforcing his status as a cornerstone in the world of contemporary jazz and funk.

Review

"Say Blow By Blow Backwards" is an album that seamlessly weaves together intricate melodies, rhythmic complexity, and a deep-rooted sense of funk. Wesley's trombone work is nothing short of impressive, serving as both a lead and supportive instrument throughout the tracks. The fusion of jazz and funk is executed with finesse, allowing each musician's voice to shine while maintaining a cohesive sound. The lyrics, where present, reflect a playful yet profound exploration of life's rhythms, showcasing Wesley's ability to convey emotion through both music and words.

The production stands out as a highlight, with a polished yet organic feel that allows the energy of live performances to translate beautifully into the studio setting. Wesley’s artistic vision is clear; he aims to honor the past while pushing boundaries, making this album a reflective piece that resonates with nostalgia and innovation. The overall sound is vibrant, drawing listeners into a world crafted by masterful musicianship and creative collaboration.

Highlights

• Exceptional trombone work by Fred Wesley, showcasing both technical skill and emotional depth.
• Strong collaborative performances from renowned musicians like David Sanborn and Bernie Worrell.
• A rich blend of jazz and funk that appeals to diverse musical tastes.

Weak points

• Some tracks may lack the immediate catchiness that characterizes classic funk hits.
• Listeners unfamiliar with jazz-funk fusion might find certain sections challenging to appreciate.
• The album’s production, while polished, may come off as overly refined for die-hard funk purists.

Overall evaluation

Fred Wesley's "Say Blow By Blow Backwards" is a celebration of funk and jazz, showcasing his artistic journey and mastery of the trombone. While it may not cater to every listener's palate, the album undeniably holds a significant place in contemporary music. Its rich textures and collaborative spirit make it a worthwhile listen for anyone interested in the evolution of these genres.