Diving deep into Feeling The Space by Plastic Ono Band
Feeling The Space- Album Overview
"Feeling The Space" is the second studio album by the Plastic Ono Band, released in 1973 under the Apple Records label. Following their self-titled debut, this album continued the experimental journey initiated by John Lennon and Yoko Ono. The record is notable for its eclectic mix of rock, avant-garde, and pop elements, showcasing the duo's unique artistic vision and defiance of conventional boundaries. The album was produced by Lennon and Ono, with contributions from prominent musicians like Klaus Voormann on bass and Jim Keltner on drums, who were integral to the album's polished yet raw sound.
The album features collaborations with various artists and includes tracks that reflect the personal and political struggles of the era, imbuing them with a sense of urgency and emotional depth. Singles such as “Mrs. Lennon” and “What a Bastard the World Is” highlight the couple's commitment to addressing societal issues while also exploring intimate themes in their relationship. The recording took place in a variety of studios, featuring a blend of live instrumentation and innovative production techniques that were ahead of their time.
"Feeling The Space" is often regarded as a pivotal work in the realm of experimental music, marking a significant moment in the evolution of the avant-garde rock genre. Its themes of love, loss, and existential reflection resonate strongly, making it a timeless piece that continues to influence contemporary artists. The album, while not as commercially successful as its predecessor, has garnered critical acclaim over the years, solidifying its place in the annals of music history.
Review
The sound of "Feeling The Space" is a complex tapestry that intertwines John Lennon's raw vocal delivery with Yoko Ono's avant-garde influences, creating a listening experience that is both jarring and beautiful. The album opens with the haunting “AOS,” where Ono's ethereal vocals lead the listener into a world of emotive soundscapes. Lennon’s songwriting shines through in tracks like “What a Bastard the World Is,” where he melds biting social commentary with a catchy melody, showcasing his ability to balance critique with accessibility.
Lyrically, the album delves into themes of alienation, love, and the human condition, often reflecting the tumultuous state of the early 1970s. Ono's contributions are particularly striking, as her avant-garde approach to music and art challenges listeners to reconsider traditional notions of melody and structure. The duo's artistic vision is palpable, as they push the boundaries of contemporary music and invite audiences to engage with their work on a deeper level.
While some tracks may be divisive due to their experimental nature, the overall cohesion of the album is impressive. The production, characterized by a blend of rock instrumentation and abstract sound, serves as a fitting backdrop for the emotional weight of the lyrics, making "Feeling The Space" a significant entry in the canon of both Lennon and Ono’s work.
Highlights
- The seamless blend of rock and avant-garde influences.
- Lennon and Ono's authentic exploration of personal and societal themes.
- The collaborative spirit that enriches the album's sound and texture.
Weak points
- Some tracks may be challenging for mainstream audiences due to their experimental nature.
- The album's production could feel disjointed to those preferring a more polished sound.
- It lacks the commercial appeal of their debut album, which might limit its mainstream recognition.
Overall evaluation
"Feeling The Space" stands as a testament to John Lennon and Yoko Ono's creative synergy, embodying a fearless exploration of sound and emotion. While it may not resonate with every listener, its artistic merit and cultural significance are undeniable.
Personal rating: 8/10