Come Visit The Big Bigot

Come Visit The Big Bigot- Album Overview

Come Visit The Big Bigot is the 1986 album by the Australian electronic band Severed Heads, released under the label Volition. This album is a defining work in the genre of experimental electronic music, showcasing the band's innovative approach to sound and composition. Recorded at a time when the use of synthesizers and samplers was rapidly evolving, the album reflects the creative push of the mid-80s underground music scene. The band members, including Tom Ellard, the primary driving force behind Severed Heads, experimented with various forms of technology to craft their distinctive sound. The album features a mix of industrial, ambient, and electronic influences, encapsulated in tracks such as "Dead Eyes Open," "Hot with a Bad Boy," and "Big Bigot," each contributing to the overarching narrative of the record. The production is characterized by its layered textures and the unconventional use of samples, creating an aural landscape that feels both unsettling and captivating. Lyrically, the songs touch upon themes of identity, societal norms, and a critique of cultural phenomena, making it a reflective piece of art for its time. The singles "Big Bigot" and "Dead Eyes Open" received notable airplay and contributed to the band’s growing reputation in the alternative music scene. Severed Heads, alongside contemporaries like Front 242 and Cabaret Voltaire, played a significant role in shaping the sound of electronic music in the 80s, paving the way for future artists. The album remains a cult favorite, resonating with listeners who appreciate its avant-garde style and thought-provoking content.

Review

Come Visit The Big Bigot is a sonic journey that challenges conventional music norms. The album's sound is both abrasive and hypnotic, a juxtaposition that defines Severed Heads' artistic vision. The production quality is exceptional for its time, showcasing a meticulous attention to detail that allows each track to breathe while remaining cohesive. The use of samples, often drawn from unexpected sources, adds layers of meaning, inviting listeners to engage with the music on a deeper level. Lyrically, the album pushes boundaries, with Ellard's vocal delivery oscillating between spoken word and melodic lines. This adds an unpredictable quality to the listening experience, as the themes of identity and societal critique are explored with an almost satirical edge. The artistic vision here is clear: Severed Heads seeks to provoke and challenge, making the listener question not only the music but also the cultural landscape surrounding it. The album is not just a collection of songs; it's an experience that feels both timely and timeless. Each track presents its own mood and message, creating a rich tapestry of sound that rewards repeated listens.

Highlights

• Innovative use of samples and electronic instrumentation.
• Thought-provoking lyrics that challenge societal norms.
• Strong production quality, making the album a standout of its era.

Weak points

• Some tracks may feel disjointed to casual listeners.
• The experimental nature might not appeal to mainstream audiences.
• Lack of conventional song structures can be polarizing.

Overall evaluation

Come Visit The Big Bigot is a bold statement in the realm of electronic music, offering a unique blend of sound and message that remains relevant today. Its experimental qualities and rich production make it a must-listen for those interested in the evolution of music. Personal rating: 8/10