Review of Nino Rota – Cinema, Circus & Spaghetti: Sexmob Plays Felli
Cinema, Circus & Spaghetti: Sexmob Plays Felli- Album Overview
"Cinema, Circus & Spaghetti: Sexmob Plays Felli," released in 2002, is a tribute album by the avant-garde jazz ensemble Sexmob, dedicated to the iconic film composer Nino Rota. Rota, best known for his work on classic films such as "The Godfather" and "La Dolce Vita," had a distinctive style that melded lush orchestration with whimsical melodies, making his compositions ripe for reinterpretation. This album was produced under the label SSL Records and showcases the band's unique ability to blend jazz improvisation with the melodic and thematic elements of Rota’s scores.
The recording features a range of tracks that span Rota's career, allowing Sexmob to explore various moods and styles—from the playful to the melancholic. The band, led by trumpeter Steven Bernstein, includes talented musicians such as brigadier saxophonist Briggan Krauss, bassist Tony Scherr, and drummer Kenny Wollesen. Their collaborative efforts breathe new life into Rota's compositions, creating a sound that is both respectful of the original and refreshingly innovative.
Singles like "Amarcord" and "La Dolce Vita" highlight the album's charm, showcasing how Sexmob's improvisational flair can transform familiar melodies into new experiences. The album not only pays homage to Rota's legacy but also situates his music within the context of contemporary jazz, illustrating its enduring relevance in modern music culture. The juxtaposition of circus-like whimsy and cinematic grandeur in Rota's work finds a perfect match in Sexmob's spirited arrangements, making this album a noteworthy contribution to the jazz genre.
Review
Sexmob’s interpretation of Rota's compositions is a delightful journey through sound that captures the essence of both the original works and the improvisational spirit of jazz. The band's arrangements are playful yet sophisticated, deftly balancing the light-heartedness of circus music with the emotional weight often found in film scores. Bernstein's trumpet work is particularly noteworthy, as he navigates the intricate melodies with both virtuosity and an intuitive sense of timing. The ensemble's chemistry is palpable, resulting in performances that feel dynamic and alive.
While the album is primarily instrumental, the absence of lyrics does not detract from the emotional storytelling embedded within the music. Each track unfolds like a scene in a film, evoking vivid imagery and transporting the listener to a world of nostalgia and whimsy. The artistic vision behind the album showcases how jazz can serve as a canvas for reinterpretation, allowing classic compositions to resonate with new audiences while honoring their historical significance.
Highlights
- Innovative arrangements that breathe new life into classic compositions.
- Strong musicianship, with standout performances from all members of the band.
- The seamless blend of jazz improvisation with Rota's cinematic melodies.
Weak points
- Some listeners may prefer the original compositions over reinterpretations.
- The album's experimental nature may not appeal to traditional jazz purists.
- Occasional moments of dissonance may feel jarring to those unfamiliar with avant-garde styles.
Overall evaluation
"Cinema, Circus & Spaghetti: Sexmob Plays Felli" stands as a vibrant tribute to Nino Rota, skillfully merging jazz improvisation with cinematic nostalgia. The album successfully captures the playful and dramatic essence of Rota's work while showcasing Sexmob's unique sound.
Personal rating: 8/10