Blessed Are the Sick

Blessed Are the Sick- Album Overview

Released in 1991, "Blessed Are the Sick" is the second studio album by the American death metal band Morbid Angel. This pivotal record was released under the iconic label Earache Records, known for pioneering the extreme metal genre during the early '90s. The album was produced by the renowned Scott Burns, who had previously worked with a plethora of influential metal bands, and was recorded at Morrisound Recording in Tampa, Florida, a mecca for metal production at the time.

The album features a lineup consisting of founding members Trey Azagthoth (guitar, backing vocals), David Vincent (bass, vocals), and Pete Sandoval (drums), with the addition of session guitarist Erik Rutan on some tracks. "Blessed Are the Sick" includes notable tracks such as "Fall from Grace," "Angel of Disease," and the title track "Blessed Are the Sick," which showcases the band's signature blend of aggression and complexity.

This album marked a significant evolution in Morbid Angel’s sound, distinguishing them from their peers with their incorporation of slower tempos and atmospheric elements, alongside their relentless intensity. Thematically, the album explores dark and often controversial topics, reflecting the band's fascination with the macabre. Notably, "Blessed Are the Sick" is considered a landmark in the death metal genre, influencing countless bands and solidifying Morbid Angel's status as pioneers. The singles "Fall from Grace" and "The Ancient Ones" garnered attention, showcasing their ability to fuse technical prowess with lyrical depth.

Review

"Blessed Are the Sick" is a masterclass in the death metal genre, presenting a sound that is both ferocious and intricate. The opening track, "Intro," sets an ominous tone, leading into the blistering riffs of "Fall from Grace," where Azagthoth's guitar work shines with unmatched ferocity and creativity. The lyrical content, steeped in themes of death, mythology, and existential dread, is delivered with Vincent's guttural growls that resonate powerfully throughout the album.

Musically, the album is marked by its dynamic range, alternating between blistering speed and slower, more atmospheric passages that allow for a captivating listening experience. The production quality, courtesy of Scott Burns, captures the raw energy of the band while providing clarity to the intricate arrangements. The inclusion of melodic guitar solos juxtaposed with heavy, blast-beat drumming creates a unique soundscape that was ahead of its time.

Morbid Angel's artistic vision in this album is one of profound darkness, exploring the bleakness of human existence while pushing the boundaries of what death metal could achieve. The album's influence can still be felt in modern metal, making it a timeless piece in the genre's history.

Highlights

• Innovative blend of aggression and melody
• Cohesive and engaging lyrical themes
• Exceptional musicianship and production quality

Weak points

• Some tracks may feel overly long for casual listeners
• The complexity might alienate newcomers to the genre
• Lack of mainstream appeal at the time of release

Overall evaluation

"Blessed Are the Sick" stands as a testament to Morbid Angel's pioneering spirit within the death metal genre. Its combination of technical prowess, thematic depth, and innovative sound solidifies its status as a classic. This album not only raised the bar for future death metal bands but also remains a significant cultural artifact in the evolution of metal music.