All We Know Of Heaven, All We Need Of Hell

All We Know Of Heaven, All We Need Of Hell- Album Overview

PVRIS released their sophomore studio album, All We Know Of Heaven, All We Need Of Hell, on August 4, 2017, through Rise Records. The album followed their acclaimed debut, White Noise, and showcased an evolution in their sound, blending elements of rock, electronic, and pop. The band, fronted by the charismatic Lynn Gunn, teamed up with producer Blake Harnage, known for his work with artists like VersaEmerge, to craft a record that explores themes of love, loss, and self-discovery.

The album features a total of 10 tracks, with singles such as "Heaven," "Half," and "What’s Wrong" highlighting its introspective and emotive lyrics. Each song encapsulates the struggles of navigating personal demons while seeking hope and redemption. The recording took place at Harnage's studio, where the band sought to create a more polished sound while maintaining their gritty edge. The album's lyrical depth and sonic experimentation resonated with fans and critics alike, helping to solidify PVRIS's place in the contemporary rock landscape.

Musically, the album has been praised for its atmospheric production, driven by pulsating beats, ethereal guitar work, and Gunn’s powerful vocals. Lyrically, it delves into the complexities of human emotion, offering listeners a sense of connection and understanding. The album has been significant in the alt-rock scene, as it showcases a strong representation of female voices in a genre often dominated by males, further paving the way for future artists.

Review

PVRIS's All We Know Of Heaven, All We Need Of Hell is a stunning representation of the band’s artistic growth. The sound is expansive, fusing rock with electronic elements that elevate the emotional weight of the lyrics. Tracks like "Heaven" stand out with their anthemic choruses and introspective verses, drawing listeners into a world of vulnerability. The production quality is top-notch, with each instrument and vocal layered meticulously to create a rich listening experience that feels both grand and intimate.

Lynn Gunn's vocal delivery is particularly noteworthy; she balances power and fragility, embodying the album's themes of longing and resilience. The lyrics are both personal and universal, inviting listeners to reflect on their own experiences. The artistic vision behind this album is clear: it’s about embracing the duality of existence—finding beauty in pain and hope in despair. PVRIS successfully carves out a niche that speaks to a generation grappling with their identities and emotions, solidifying their relevance in today’s music scene.

Highlights

• Rich, atmospheric production that enhances the emotional depth of the songs.
• Lynn Gunn's powerful and dynamic vocal performance.
• Introspective and relatable lyrics that resonate with a broad audience.

Weak points

• Some tracks may feel too polished, losing the raw edge of their debut album.
• Thematic repetition in certain songs may detract from overall variety.
• Not all songs achieve the same level of impact, with a few feeling like filler.

Overall evaluation

All We Know Of Heaven, All We Need Of Hell is a significant step forward for PVRIS, showcasing their growth as musicians and lyricists. While it has its shortcomings, the album is a powerful exploration of human emotion that cements their place in modern rock. The combination of poignant lyrics, stellar production, and anthemic sound makes it a worthy addition to any music lover's collection.