Album spotlight: Breakbeat Era – Ultra-obscene (extended)
Ultra-obscene (extended)- Album Overview
"Ultra-obscene (extended)" is the second studio album by the British electronic music duo Breakbeat Era, released in 1999 under the label Astralwerks. The album is an expansion of their earlier work, showcasing a fusion of breakbeat, drum and bass, and electronic sounds that were emblematic of the late '90s British music scene. Breakbeat Era consists of producer and DJ Rollo Armstrong, known for his work with Faithless, and vocalist and lyricist, the talented and soulful Nina Miranda. The collaboration brought together Rollo's intricate production skills with Miranda's emotive vocal delivery, resulting in a sound that was both innovative and accessible. The extended version of "Ultra-obscene" includes remixes and additional tracks that explore the duo's stylistic range while maintaining the core essence of their original sound. The album features standout tracks like "Harder," "The Sound of the Future," and "Dancing in the Dark," which highlight the duo's ability to blend various genres seamlessly. The production process involved state-of-the-art technology for the time, utilizing both live instrumentation and electronic samples to create a rich auditory experience. "Ultra-obscene" captures the cultural zeitgeist of the late '90s, a time when electronic music began to infiltrate mainstream consciousness. The album's release coincided with the rise of rave culture and the growing acceptance of electronic music in popular settings. The singles "Harder" and "The Sound of the Future" received significant airplay, contributing to the duo's popularity and establishing Breakbeat Era as a notable act in the electronic music landscape. The album is often praised for its forward-thinking approach and remains a significant entry in the genre's evolution.
Review
The sound of "Ultra-obscene (extended)" is a vivid tapestry woven from the threads of breakbeat and drum and bass, layered with elements of house and ambient music. Each track is a sonic journey that showcases the duo's artistic vision, with intricate rhythms and lush melodies that invite listeners to dance while simultaneously engaging their minds. Lyrically, the album offers a mix of introspective reflections and energetic anthems, with Nina Miranda's voice serving as the perfect vehicle for the emotive narratives. The production is polished yet retains a raw edge, a hallmark of Breakbeat Era's style, allowing the listener to appreciate the skillful craftsmanship behind each beat and loop. Rollo's expertise shines through, employing a mix of samples and original instrumentation that creates a unique listening experience. The album's pacing is well-considered, moving seamlessly between high-energy tracks and softer, introspective moments, making it a compelling listen from start to finish.
Highlights
- Innovative fusion of breakbeat, drum and bass, and electronic sounds.
- Strong vocal performances by Nina Miranda that enhance the emotional depth of the tracks.
- Engaging production that balances energy with introspection.
Weak points
- Some tracks may feel repetitive in structure for listeners seeking more variety.
- Occasional overproduction that could detract from the raw feel of the music.
- Limited mainstream recognition compared to contemporaries in the electronic scene.
Overall evaluation
"Ultra-obscene (extended)" stands as a testament to Breakbeat Era's innovation and influence in the electronic music realm. The album successfully blends genres and showcases the duo's talent, making it a noteworthy entry in the late '90s music landscape.
Personal rating: 8/10
1999Ultra-Obscene