There’s A Whole Lalo Schifrin Goin’ On

There’s A Whole Lalo Schifrin Goin’ On- Album Overview

Lalo Schifrin's "There’s A Whole Lalo Schifrin Goin’ On," released in 1972, is a pivotal album that showcases the Argentine composer’s versatility and innovative spirit. Known primarily for his work in film scoring, Schifrin ventured into the realm of jazz and funk with this project, which was released under the prestigious label, MGM Records. The album is notable for its melding of orchestral arrangements with contemporary jazz and funk rhythms, a departure from traditional music of its time. The recording features an array of talented collaborators, including renowned musicians such as jazz trumpeter Art Davis, bassist Chuck Rainey, and percussionist David "Fathead" Newman. The album includes standout tracks like "The Little Drummer Boy" and "The Man from U.N.C.L.E.," demonstrating Schifrin's ability to reinterpret familiar melodies through his unique lens. "There’s A Whole Lalo Schifrin Goin’ On" not only reflects Schifrin's prolific compositional skills but also serves as a cultural artifact of the early '70s, embodying the era's experimentation and cross-genre fusion. Through this album, Schifrin pushed the boundaries of what soundtrack music could achieve, influencing countless artists and composers in the years that followed. Its release marked a significant moment in the transition of jazz into popular music, making it a landmark in Schifrin's illustrious career.

Review

"There’s A Whole Lalo Schifrin Goin’ On" is an audacious album that captures Schifrin's ambition to transcend the typical boundaries of music. The sound is rich and layered, with orchestral elements interwoven seamlessly with funk grooves and jazz improvisation. Each track offers a fresh perspective, showcasing Schifrin's knack for melody and rhythm. The album’s opener sets a vibrant tone, while the intricate arrangements highlight the talents of each collaborating musician effectively. Lyrically, the album does not rely heavily on traditional song structures; rather, it focuses on creating a mood and atmosphere through instrumental storytelling. Schifrin’s artistic vision shines through, inviting listeners on a journey that feels both cinematic and deeply personal. His orchestration reveals a deep understanding of jazz, as well as an appreciation for the cultural shifts of the 1970s, making it a timeless piece that resonates with multiple generations.

Highlights

• Innovative fusion of jazz, funk, and orchestral arrangements.
• Exceptional collaboration with top-tier musicians enhances the overall sound.
• Cultural significance as a reflection of the early '70s musical landscape.

Weak points

• Some tracks may feel disjointed for listeners expecting a more traditional album structure.
• Lack of prominent vocals might deter those seeking lyrical engagement.
• Production may feel dated to contemporary listeners unfamiliar with the era’s sound.

Overall evaluation

Lalo Schifrin's "There’s A Whole Lalo Schifrin Goin’ On" stands as a testament to the power of musical exploration and creativity. It is an album that not only showcases Schifrin's genius but also serves as a significant influence on future genres. Its ability to blend various musical styles makes it a must-listen for jazz enthusiasts and newcomers alike. Personal rating: 8.5/10