Subways Are For Sleeping / Do You Hear A Waltz

Subways Are For Sleeping / Do You Hear A Waltz- Album Overview

Released in 1962, "Subways Are For Sleeping / Do You Hear A Waltz" is a unique double album by the renowned conductor and composer Percy Faith. It features the soundtracks to two Broadway musicals: "Subways Are For Sleeping" and "Do You Hear A Waltz," showcasing Faith's lush orchestral arrangements that blend pop and classical elements. The album was released under the Columbia Records label, a prominent platform for many artists during that era. Faith, known for his smooth orchestration, was able to capture the essence of both musicals through his distinctive sound, which often included strings, woodwinds, and brass in harmonious arrangements.

The recording sessions brought together a talented group of musicians and vocalists, including notable Broadway performers who infused the tracks with their theatrical flair. "Subways Are For Sleeping," written by Comden and Green, is a lighthearted reflection on urban life, while "Do You Hear A Waltz," with music by Richard Rodgers and lyrics by Stephen Sondheim, veers into more poignant emotional territory. The singles from the album, particularly the title tracks, received considerable airplay, further solidifying Faith's status in the music industry.

This album holds cultural significance as it exemplifies the crossover between Broadway music and popular orchestral arrangements of the 1960s. Faith's ability to make these songs accessible to a broader audience contributed to the popularity of Broadway-style music during this time, making it a key piece in the evolution of American musical sound.

Review

The sound of "Subways Are For Sleeping / Do You Hear A Waltz" is characterized by its sweeping melodies and rich orchestrations that are quintessentially Percy Faith. The arrangements are both grand and intimate, allowing the listener to feel the emotional weight of the narratives within the musicals. Faith's artistic vision shines through in the way he captures the essence of each song, transforming them into evocative instrumental pieces that can stand alone outside their theatrical origins.

While the lyrics may be less prominent in this instrumental interpretation, the music speaks volumes about the themes of love, longing, and urban life. The orchestral textures create a vivid soundscape that transports listeners to the bustling subways of New York or the romantic settings of a waltz. Faith's meticulous attention to detail and his ability to evoke vivid imagery through sound make this album a compelling listen, even for those unfamiliar with the original stage productions. However, while the lush instrumentation is captivating, some might find the absence of vocal elements in certain tracks a missed opportunity for deeper connection with the lyrics.

Highlights

• The lush orchestral arrangements showcase Faith's talent for blending classical and pop elements.
• The emotional depth of tracks from "Do You Hear A Waltz" resonates beautifully through the instrumentation.
• Faith's ability to create vivid soundscapes captures the essence of urban life and romantic themes effectively.

Weak points

• The absence of vocal performances in some tracks may alienate fans of the original musicals.
• Some arrangements may feel overly sentimental or dated to modern listeners.
• Limited variety in tempo and dynamics can make certain parts feel repetitive.

Overall evaluation

"Subways Are For Sleeping / Do You Hear A Waltz" is a testament to Percy Faith's artistry and ability to translate theatrical narratives into rich musical experiences. While it may have its shortcomings, the album remains a significant work that highlights the intersection of Broadway and orchestral music. It's a delightful listen for those who appreciate lush arrangements and the emotional power of instrumental storytelling.