Oklahoma / Can Can

Oklahoma / Can Can- Album Overview

Released in 1959, "Oklahoma / Can Can" is a captivating orchestral album by the renowned arranger and composer Nelson Riddle. Known for his sophisticated arrangements and lush orchestrations, Riddle collaborated with various artists throughout his career, but this album stands out as a notable entry in his discography. It was released under the Capitol Records label, a powerhouse during the mid-20th century, known for its commitment to producing high-quality popular music.

The album features orchestral adaptations of two iconic Broadway scores: "Oklahoma!" and "Can-Can." Riddle's interpretations of these well-loved musical scores breathe new life into familiar melodies, showcasing his ability to weave intricate harmonies and lush string arrangements that accentuate the emotional depth of the original compositions. His work during this period was instrumental in popularizing orchestral music among mainstream audiences, bridging the gap between classical arrangements and contemporary tastes.

In terms of collaborators, Riddle worked with a talented group of musicians, including prominent session players of the era. The album consists of well-known tracks such as "Oh, What a Beautiful Mornin'" and "I Cain't Say No" from "Oklahoma!" and "I Love Paris" and "Can-Can" from "Can-Can." The singles released from this album enjoyed moderate success, contributing to Riddle's reputation as a leading figure in the music industry.

Musically, the album exemplifies the orchestral style of the late 1950s, characterized by lush arrangements and rich textures. Riddle's ability to blend classical influences with popular music made this album resonate with a diverse audience, marking a significant cultural moment as Broadway music began to permeate mainstream pop culture. Overall, "Oklahoma / Can Can" remains a testament to Riddle's artistry and his enduring influence on the landscape of American music.

Review

"Oklahoma / Can Can" showcases Nelson Riddle's exceptional skill in transforming Broadway classics into orchestral masterpieces. The album opens with a vibrant rendition of "Oh, What a Beautiful Mornin'," where Riddle's lush strings and brass arrangements create an inviting atmosphere that draws listeners in. The transition between tracks is seamless, highlighting Riddle's mastery of pacing and dynamics, making the entire listening experience feel cohesive and engaging.

While the album primarily focuses on orchestral arrangements, it is important to note that the emotional weight of the original songs is preserved, allowing listeners to appreciate both the familiar melodies and Riddle’s innovative interpretations. The arrangements are rich and full, yet they never overshadow the inherent beauty of the original compositions. Riddle's artistic vision shines through as he balances traditional elements with his unique orchestral flair.

However, the album does lean heavily on orchestration, and those seeking vocal performances may find themselves wanting. Nevertheless, Riddle's work here is a brilliant homage to the original Broadway scores, with each track serving as a testament to his artistic vision and musical genius.

Highlights

• Rich orchestral arrangements that breathe new life into classic Broadway tracks.
• Seamless transitions between songs create a cohesive listening experience.
• Preservation of emotional depth from the original compositions.

Weak points

• Lack of vocal performances may not appeal to all listeners.
• Some arrangements may feel overly lush for those preferring minimalism.
• Limited exploration of musical diversity beyond the two featured scores.

Overall evaluation

Nelson Riddle's "Oklahoma / Can Can" is a stunning orchestral interpretation of beloved Broadway scores, showcasing his remarkable talent for arrangement and composition. While it may not cater to every musical preference, its lush soundscapes and emotional depth make it a significant achievement in Riddle's career.